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Behringer SPRING REVERBERATION 646 Desktop Spring Reverb with Overload Circuit

Behringer SPRING REVERBERATION 646 Desktop Spring Reverb with Overload Circuit

In Stock
SKU #
BESPRNGRV646
Mfr #
0720-ACW86-US1
Manufacturer
Behringer
Description
Give your music that extra twang and sense of space with the Behringer SPRING REVERBERATION 646, a legendary desktop spring reverb in a compact and portable Eurorack format. Based on the authentic circuitry of the Grampian Reverberation Unit 636, the unit features dual mechanical springs that provide signal reflections for rich and dynamic room emulations and an overload circuit for warm analog overdrive.The Grampian has been used on countless hit records by the likes of Pete Townshend and Lee "Scratch" Perry, among others. The SPRING REVERBERATION 646 ships in a desktop enclosure and includes a power adapter. The unit can be removed from its desktop case and placed within a Eurorack enclosure (72 HP).At a Glance Classic analog spring reverb effect from the 1960sAuthentic reproduction of the original Grampian Reverberation Unit Type 636 circuitryLegendary vintage spring reverb sound, as heard on countless recordsDual mechanical springs provide signal reflections for rich and dynamic room emulationsOverload circuit for a warm analog overdrive of the signal before entering the spring reverbTotal reverb decay time is approximately two secondsWet/dry mix control for adjusting the amount of reverberation effectRemote switch input for muting the reverb pathMic and line inputs with high/low line inputs for flexible routingComplete Eurorack solution the main module can be transferred to a standard Eurorack casePure and Simple The 646 is a no-nonsense reverb unit. No digital emulation here. Inside, you'll find dual mechanical springs that provide a lush and dynamic reverb sound that no other reverb type can match. And if you bump the 646, it can even do that iconic spring reverb "sproing".Super Versatile The 646 is versatile, so you can use it with any instrument. It accepts balanced and unbalanced mic inputs where you can control the input level with the Mic Channel knob as well as high- and low-level line inputs such as keyboards or guitars. The integrated overload circuit can even give you a warm analog overdrive before the signal gets passed to the reverb.

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