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Kali Audio SM-5-C 3-Way Passive Studio Monitor (Black Single)

Kali Audio SM-5-C 3-Way Passive Studio Monitor (Black Single)

In Stock
SKU #
KASM5C
Mfr #
SM-5-C
Manufacturer
Kali Audio
Description
Audio professionals in need of an accurate studio monitor with ultra-lifelike imaging should look no further than the Kali Audio SM-5-C, a 3-way studio monitor that's designed for accuracy, translation, and ease of use and is ready for the most demanding mixing and mastering applications.The SM-5-C features a high-performance 3-way coincident design that time aligns the 1" tweeter and 4" midrange coaxial drivers, delivering phase accurate signals from any angle. Particular care has been given to the seamless transition from the midrange to the baffle, resulting in an engrossing stereo image where details are lifelike and crisp.Transducers 1" Aluminum-Dome TweeterThe SM-Series aluminum-dome tweeter delivers excellent dynamics, resulting in clear high-frequency response without distortion. The tweeter uses a unique geometry to reduce high-Q ultrasonic resonances, eliminating harshness that can make metal tweeters fatiguing over time.4" Profile-Optimized MidrangeThe SM-5-C s midrange is optimized not only for its own frequency band, but also for its role as the tweeter s waveguide. The shape is precision engineered for ideal directivity, and peak-to-peak excursion is limited to under 1mm to prevent intermodulation distortion.Flux-Stabilized WooferThe SM-5-C s woofer incorporates features that reduce magnetic flux modulation, bringing distortion down dramatically.Paper is used for both the woofer and midrange cone material. Kali s testing has shown that, despite its humble nature, paper is ideal in terms of stiffness, weight, and natural damping characteristics.Crossover Network A top-tier speaker deserves top-tier internals, and the crossover network on passive Santa Monica speakers is as fine as they come.Since the SM-5-C uses amplifier tuning to handle frequency response optimization, the crossover network can be purely optimized for its use in directivity transition. This level of optimization allows for premium components to be used, including ultralow-dissipation polypropylene capacitors, air-core inductors, and ultralow inductance resistors.The crossover network is fully optimized for bi-wire (LF+MR/HF) use, but care has also been taken to allow for single-wire use.Speaker Cabinet Low-diffraction baffleThe baffle around the midrange follows the shape of that driver, blending seamlessly from the edge of the driver and into the rest of the speaker cabinet. This eliminates on-axis diffraction artifacts in the frequency response and helps reinforce the SM-Series excellent imaging characteristics.Low-noise port tubeLike all of Kali s speakers, the SM-5-C uses a fluid dynamics derived port tube for high performance and low noise.On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as chuffing, or an audible air sound coming from the system. This sound will add to the noise floor and obscure the details of the low end.The port tube on the SM-5-C was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low-end response of the subwoofer, while keeping the bass clean, tight, and devoid of extra noise.Amplification LEA amplifiersFor full output with minimum distortion, Kali recommends biamplifying the speakers using a LEA amplifier with at least 100W per channel. Therefore, the minimum choice for a pair of SM-5-Cs would be an LEA Connect 164.Nearly full output and acceptable distortion may also be attained using the single wire tuning and one of LEA s 80W amplifiers. This means that it is possible to amplify up to four speakers using LEA Connect 84 or up to 8 using an LEA Connect 88. Max SPL will be 1 dB lower and distortion will be slightly higher at full output.Single wire vs. bi-ampedWhile Kali recommends biamplifying the speakers, single wire use is more convenient and economical. Single wire mode adds a small amount of distortion on from the lower frequency cutoff of the system through 700

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