ZYNZAP2ED

ZYN-ZAP2-ED

Zynaptiq

Available for download, the Zap II Bundle packages a veritable panoply of Zynaptiq's quirky plug-ins in one software suite. Many of these processes will find their applicable uses in audio production, post production, mixing, and mastering. UNVEIL is designed to help you boost or attenuate a reverb already imbued within a sound source. UNCHIRP is useful in suppressing the high-frequency artifacts (chirps) or musical-noise artifacts from sources already processed through lossy, destructive codecs. UNFILTER helps in ameliorating or outright removing filtering effects such as excessive EQ, problematic resonances, comb filtering, and more. MORPH 2 can combine two sound-sources into something new using five morphing algorithms, a formant shifter, and an integrated hall reverb. UNMIX::DRUMS allows you to isolate or attenuate drums from any prerecorded bit of material with its source signal separation technology. PITCHMAP is a polyphonic pitch-processing plug-in that gives you the ability to change the pitch of individual sounds within a prerecorded mix. ADAPTIVERB is a reverb which resynthesizes the sound its processing to provide organically tuned reverbs. Lastly, you'll find WORMHOLE, which provides pitch-shifting, tone warping, filtering, delays, reverbs, and other effects for creating anything from alien voices to electronically fascinating contrapuntal melodies. Compatible with Mac and Windows platforms, these plug-ins can operate in Audio Units, RTAS, VST, and AAX formats.General Automatically detect and remove resonances, equalization, roll-offs and the effects of comb filtering from musical, location, dialog and surveillance recordingsApply the measured filter response to other signals to place them in the same "acoustic world"Export the measured filter response to or import it from a linear- or minimum-phase impulse response file (WAV)Mastering grade adaptive, free-form and graphic equalizationExtremely steep 96dB/octave shelving high-pass filterOutput limiter for unsupervised use in batch processing applicationsTime-efficient workflow and UISound for Picture Remove comb-filtering caused by multiple "open" microphones being mixed to one iso track, or by proximity to reflective surfaces Remove resonances caused by room geometry or using shotgun microphones near off-axis reflective surfaces Remove recording path roll-offs and lavalier microphone chest resonance Increase level separation between dialog and background sounds Make ADR blend better with production dialog Synthesize room tone to fill editing gaps or to layer with ADR by applying a measured filter response to noise Make crowd atmos, walla or dense ambience collide less with dialog Manipulate apparent distance of background sounds by emphasizing room filtering effects Enhance SFX and foley recordings Speed up any equalization and low-cut filtering task Improve mix translation to non-standardized playback environments, like TVs or PCs, by removing resonances that would add up with the frequency response of the playback system Save hours of expensive mixing stage time Music Production and Mastering Remove resonances and other frequency response issues from recordings of acoustic instruments or live performances Remove EQ or filtering "printed" to tracks delivered for mix-down or mastering Remove guitar cabinet coloration, or apply it to a DI guitar Apply corrective EQ to any source within seconds Exaggerate a sound's coloration to more firmly place it in its own frequency "window" Remove low-mid buildup from sub-mixes and mixes without losing the "body" of the sound Balance the spectrum of one or multiple songs Capture the frequency response of outboard EQ or other signal paths and apply it or store it as impulse response (WAV) Accentuate the natural low end on acoustic bass drums Remove spectral peaks caused by corpus resonance, for example on bass or acoustic guitars Apply a track's measured filter response to overdubs made with a different recording setup to m